「是非精」強勢回歸！梁嘉琪、麥美恩、湯洛雯繼續示範各種科學實驗，介紹歷史、法律知識，並一如既往嘈喧巴閉挑戰電視音量尺度。不過三人本輯慘變「姨姨」，皆因馮盈盈、劉穎鏇、張寶兒三位年輕貌美的應屆港姐加入是非精行列，為節目注入青春元素。 　　此外，「是非旅行團」今次遠赴日本各地，認識當地傳統產業和技藝，從中發掘更多有趣「是非」！「流動實驗室」再次走訪全港大專院校，讓同學動動科學頭腦，以輕鬆小實驗「睇你得唔得」。

讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

几名高中毕业生考入了警察学校，高虹云（张盈真饰）因为家里都是做警察，所以也选择了走警察的路。赵亚男（谭艾珍饰）迷迷糊糊进来，在警察学校里最搞笑的就是她。片中归亚蕾饰演警察学校的队长，因为她雷厉风行的作风，被人取外号为老巫婆。电影后半部分就是这几名女警来到警署见习，跟队长周雄（向云鹏饰）扮便衣抓人，电影还加入了私娼，贩毒的戏份，尤其抓捕贩毒大佬苍蝇的时候，海陆空警员全部出动，将犯人绳之以法的那一刻真叫大快人心。

西班牙惊悚片，背景是1921年的巴塞罗那，无政府主义者和警方之间的动荡未歇，暴乱黑帮，贪腐警察，罢工劳工，女权示威群众，一片混乱之际，又有一车军武在运输途中遭到偷窃，情势犹如一颗炸弹，随意爆炸，一名警员为双方效力，好查出是谁偷了可能点燃内战的军方武器...

女检察官高澎与刑警秦岭在办理女大学生溺亡案和教授杀妻案的过程中相识，他们从当事人复杂的情感纠葛中抽丝剥茧，固定证据链条，在过程中意外发现了重大环境污染线索，因而牵扯出一桩关于环境污染的公益诉讼案。巨大的利益链条和连带关系让提起诉讼的环保公益组织败诉，当事人家破人亡。高澎顶住压力挺身而出，成为了当地第一起检察公益诉讼案的承办人，并在秦岭的帮助下，挖出了幕后黑手，竟然是与高澎母亲断绝关系多年的姨妈海伦。面对亲情与正义，面对被污染的环境和被毒害的百姓，高澎将海伦送上法庭。高澎和秦岭最终成为最默契的搭档和最懂彼此的爱人。

女检察官高澎与刑警秦岭在办理女大学生溺亡案和教授杀妻案的过程中相识，他们从当事人复杂的情感纠葛中抽丝剥茧，固定证据链条，在过程中意外发现了重大环境污染线索，因而牵扯出一桩关于环境污染的公益诉讼案。巨大的利益链条和连带关系让提起诉讼的环保公益组织败诉，当事人家破人亡。高澎顶住压力挺身而出，成为了当地第一起检察公益诉讼案的承办人，并在秦岭的帮助下，挖出了幕后黑手，竟然是与高澎母亲断绝关系多年的姨妈海伦。面对亲情与正义，面对被污染的环境和被毒害的百姓，高澎将海伦送上法庭。高澎和秦岭最终成为最默契的搭档和最懂彼此的爱人。

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。